I don’t doubt our fans’ authentic enthusiasm. "There is something so nice about being over a decade in and feeling this gratitude and trust for all the right reasons.
I’ve had to train myself to stop thinking that way," she says. We’re humbled by this idea we’re onstage and even almost apologetic. In fact, more than a decade later, Sara finds that she and her sister are still confounded by the experience of it all. They’ve struggled just to get to their sixth album, which is enough for them to have some kind of a musical presence - sans superstar fanfare. Now, with the industry so fluid, Tegan and Sara just roll with the flow.ĭespite a music business changing before their eyes, T&S keep an independent approach to their career. But during that time, the industry itself changed, switching up the same variables they struggled to get past - getting a manager, signing to a label. Not even 30, identical twins Tegan and Sara Quin have amassed an impressive catalog of six full-length albums in the past 11 years. And both play in Dallas within days of each other. Their indie folk-rock has propped them right up there with Lang and Etheridge as part of lesbians’ substantial contribution to today’s music landscape. The duo Tegan and Sara and solo act Sarah Bettens are headlining lesbians with followings beyond the coffeehouse cliché (not that there’s anything wrong with that).
An unintentional concert double header this week says more than you might think.
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